David Lock David Lock’s paintings explore men and masculinities in a process of becoming. The paintings utilise a collagist approach. In the process of creating his ‘Misfit’ paintings, he makes collages culled from advertisements and imagery from mainstream magazines. In … Read More
Wendy Saunders “I have been constructing these new painting supports specifically to act as carriers for a number of ideas relating to the reading of human countenance and emotion….I make the stretchers to represent a head shape. They are an … Read More
Harvey Taylor Harvey Taylor has developed a labour intensive painting process whereby each painting can take up to two months to complete. He starts with a photographic image which he breaks down using a grid. A mask is then placed … Read More
Linda Ingham Linda Ingham’s process-led practice is based on personal engagement with landscape and place. Increasingly involved with botany and folk-histories of plants observed on location where she walks and her allotments, pieces often are created using gathered plants and … Read More
Matthew Krishanu Matthew Krishanu’s recent paintings construct narratives exploring themes from memory, childhood, and art history. Matthew Krishanu is a painter based in London. He received an MA in Fine Art from Central Saint Martins College in 2009. Solo exhibitions … Read More
Gideon Pain Gideon Pain’s art derives from a delight in the world around, a play on the mundane and every day that we slip through on our way to somewhere else. It is about collective moments, some tragic some euphoric, … Read More
Stephen Newton The critic Mel Gooding described my painting as a ‘psycho-conceptual project’. The New York critic Donald Kuspit stated in an essay: ‘The detached, oddly mournful tone and subliminal pessimism about human relationships evident in Newton’s pictures suggests that … Read More
Andrew Litten Creativity is empowering and empathy is powerful. I want to create art that speaks of the love, anger, loss, personal growth and the private confusions we all experience in our lives. My aim is to create an unguarded … Read More
Jules Clarke The fluidity of paint is used to explore one moment becoming another, allowing boundaries between figures and their environment to break down. The patterns emerging from the photographed screen in both image and surface interference can let people … Read More
Andrew Crane Born in London in 1949, Andrew Crane studied graphics at the Central School of Art. It was here that he developed his love for letterforms and numerals and the power of the written word. A self-taught painter, he … Read More
Julian Brown The imagery in my work is very heavily influenced by nostalgic visions of the 1980’s and the folk art from my mother Polish heritage. Both of these worlds have a handmade geometric quality that has a playful and … Read More
Ruth Philo Ruth’s paintings explore abstraction through colour, light and surface. They often emerge from encounters with place, walking and the everyday to convey a sensory experience of the physical and metaphysical, combining inner and outer states, conscious and subconscious. … Read More
Barbara Howey This is a new series of paintings based on plants. They are taken from photographs I take on my daily walks. The photographs document the species of plants seen, not rare but local, some native and some finding … Read More
Lucy Cox My practice focuses primarily on spatial ambiguity, an interest that I have been engaging with for some time, to construct abstract paintings which toy with interpretation and perception. I am fascinated by relationships between three-dimensional and two dimensional … Read More
Paul Newman Paul Newman’s current body of work, English Gothic, combines 18th – 21st century motifs including, historical landscape painting, architecture, classic monsters of movies such as the Fly and Frankenstein, and even the Ford Escort van. With sources ranging … Read More
Alex Hanna I have been working on ideas based around the ‘ambiguous’ and materiality. This possibly explains the choice of subject and the reductive colour system. I have been using both traditional materials and some more none traditional paints. At … Read More
Susie Hamilton I paint figures in wilderness—either a natural wilderness or a bleak, urban space such as superstore or shopping mall. My figures are set in challenging places and often blitzed by bursts of glaring light. Additionally they are made … Read More
“The new Contemporary British Painting Prize is a brilliant new initiative that holds up a mirror to the wealth of practice and exciting talent alive in the UK painting scene today.” Kath Wood, Founding Director of Firstsite, Curator and Arts … Read More
Ruth Calland I’m always interested in gesture, and in the visceral. I’m trying to express something about both emotional experience and analytical understanding, usually, and so the physical act of painting is made under certain conditions, where I’m often in … Read More
Iain Andrews My paintings begin as a dialogue, both with a particular Folk Tale and also with an image from art history – often a painting by an Old Master that may then be used as a starting point from … Read More
