The Contemporary British Painting Prize 2026

First Prize £8000 + more
Highly Commended Award £2000
£400 exhibitor’s fee for all shortlisted artists
Two exhibitions
Two full-colour catalogues

PLUS:
The Judith Tucker Memorial Prize
The YAS Exhibition Award

About the Contemporary British Painting Prize

The Prize is run by members of CBP – painters just like you.

The prize is only made possible due to the incredible hard work of a small team of volunteers from within our membership, who take time out of their own art practices to manage and organise the prize. Moreover, we could not cover the costs, exhibitor’s fees and prize money without generous additional backing.

In particular, we would like to thank John Talbot, collector of contemporary painting, for donating the prize money for the fourth prize in a row.

The Prize

The winner receives £8000, a catalogue essay, an invitation to join Contemporary British Painting, and a selector position for the next CBP Prize. The Highly Commended Award is £2000.

The shortlisted artists each receive a £400 exhibitor’s fee.

See the CBP Painting Prize archive

The Painting Prize goes biennial

The Judith Tucker Memorial Prize

A memorial fund was established in Judith Tucker’s name after her untimely death and has been built up by her family, friends, colleagues and former students. The Judith Tucker Memorial Prize was formed in association with Contemporary British Painting.

Two prizes are offered, in Judith’s memory, to a woman artist based in the U.K. whose practice explores the relations between memory, place, environment and landscape through contemporary painting.

Judging

The inaugural prize in 2024 was judged by the three trustees of the Fund: Lubaina Himid, Griselda Pollock and Harriet Tarlo. The 2026 judges will be announced shortly. The announcement of the two prize-winning artists will be made at the Sheffield installation of the Contemporary British Painting Prize.

The Prize

There are two prizes – £1500 and £3000.

Judith Tucker

Judith Tucker (1960-2023) was a British artist and Senior Lecturer in the School of Design at the University of Leeds. She demonstrated a lifelong commitment to painting and to the artist community, including being a Founder member of Contemporary British Painting.  At the time of her death in November 2023, she was its Chair. Her extensive body of work, created in series, examined and reflected upon landscape as place, memory and environment through both oil painting and large-scale drawing.

NEW: The YAS Exhibition Award

The YAS Exhibition Award will be selected and presented by Georgina Kettlewell, Director of Yorkshire Artspace, Sheffield. The recipient of this award will work with YAS on a curated solo show for summer 2027. YAS offers technician support, publicity, a private view, an artist fee of £300 and an additional £200 funding towards transport of works. The exhibition will also be publicised on the CBP newsletter, website and @paintbritain social media.

(l-r) Grant Scanlan, Rich Jellyman, winner of the 2023 painting prize, Beth Hughes, Robbie Bushe, awarded the ‘Highly Commended’ runner-up prize, and Caroline Walker.

How to enter

Who and what is eligible?

The aim of the prize is to explore and promote current painting, and we want to see the best of painting produced in the UK today.

Entry is open to all artists, including students, over 18 and of any nationality, living and professionally based in the UK*.

Work must have been completed within the last 3 years, since 1st June 2023. The maximum size is 2.2m across the longest edge. 3D work must pass through a standard single doorway.

Please see FAQs and the Terms and Conditions for important additional information about entry requirements.

* except CBP members and family of selectors and judges.

We have teamed up with CuratorSpace where you can make your submission and pay the entry fee (see below). You will need to register with CuratorSpace if you have not already done so – registration is free.


Information we’ll need:

Your contact details
We will need your contact details: name, email address, postal address including postcode and a phone number.
Artist’s statement
Please submit a short (100-300 word) statement about your painting practice.
Website and social media
You can optionally add your artist website, along with your Instagram if you wish. This will allow us to tag you in social media posts. Note that our selectors often check websites and Instagram if they want to know more about your painting practice.

All submissions will be considered for our Painting of the Day feature.
Upload FIVE images
We need images of five different paintings. See FAQs for eligibility requirements.
Painting details
We will also need some details about each painting:
• Title (if the work is untitled please state Untitled)
• Medium, eg: Oil on canvas
• Dimensions in cm
• The year
Legal stuff
You must confirm that you will be over 18 by the deadline. You must also confirm that you accept the Terms and Conditions.
Pay and submit
The submission fee is £25, processed by CuratorSpace.
Troubleshooting
If you are having difficulty making your submission please check that you have completed all fields correctly. You cannot submit your application unless all required information is provided.

Please contact CuratorSpace directly for technical issues and queries related to payments.



Human by Daniel H. Bell, 2024 Prize Winner
Contemporary British Painting Prize

Entry form 2026

You will be taken to the CuratorSpace website to make your submission where you will need to register (if you haven’t previously done so) and log in. Registration to CuratorSpace is free.

GOOD LUCK!

The entry portal opens on May 11th

Enter

Selection and Judging

The prize is in three stages: longlisting, shortlisting, and judging.

The selection panel is made up of members of Contemporary British Painting, all professional practicing painters. We appoint a new selection panel for each prize.

The four selectors independently view ALL submissions, who each gradually reduce their initial choices down to their top 15 artists, plus 2 reserves. The main reason we ask for reserves is that sometimes two selectors choose the same artist. This produces a combined longlist of approximately 60 artists.

The selectors then meet in person to go through the longlist in detail and eventually agree a shortlist of at least 12 artists. The selectors also decide which three paintings by each artist they want for the Contemporary British Painting Prize exhibition.

Gordon Dalton, one of our 2023 selectors, has written an in-depth take on the selection process here

A completely separate panel of judges – well-known figures in the art world such as curators, artists, and writers – select the prizewinner and one highly commended painter from the shortlisted works in the exhibition.

The judges for the additional prizes also select from the exhibition.

The 2023 Selectors (l to r) Gordon Dalton, Mandy Payne, Lesley Bunch, Susan Gunn.

The 2026 Contemporary British Painting Prize Selectors

The 2026 Contemporary British Painting Prize Judges

Georgina Kettlewell

Georgina Kettlewell lives and works in Sheffield. Having studied Art History at Edinburgh University in the late 90s, she spent the following 17 years in London. Dulwich Picture Gallery and the Horniman Museum and Gardens were followed by a move back to the north in 2020.  She is Director of Yorkshire Artspace, a national centre for art in all its forms, providing space for over 165 artists to think, make and produce work from YAS’ industry-leading artist studios. The pioneering Persistence Works is the first purpose-built art studio complex in the UK. Through a programme of exhibitions and residencies, YAS shares, shows and sells contemporary art and design, supports artists’ professional development, and provides specialised facilities for making art. In 2023 Georgina oversaw the development of a new gallery programme showcasing contemporary British painting. This has developed into a partnership with CBP, and also featured solo and group shows including work by Paul Housley, George Shaw, Zoe Spowage, Joanna Whittle and Clyde Hopkins.

Georgina will also select The YAS Exhibition Award.

Katherine Lloyd

Born in Liverpool, Katherine Lloyd is a museum and exhibitions professional with over a decade of experience working across major museums and contemporary art galleries. Her practice is rooted in contemporary painting and artist-led projects, with a particular focus on supporting living artists through exhibitions and public programmes.

She has worked extensively on the John Moores Painting Prize at the Walker Art Gallery in Liverpool, playing a central role in its development and delivery, and contributing to its continued position as one of the UK’s most significant platforms for contemporary painting.

Most recently, she has been Exhibitions Manager (maternity cover) at Turner Contemporary in Margate, where she delivered major exhibitions in close collaboration with artists, curators, and international lending institutions. Alongside her professional practice, she is committed to advancing LGBTQ+ visibility and rights within cultural organisations, prioritising care and support while championing inclusive programming, policy, and representation across the museum sector.

Ryan Mosley

Ryan Mosley (b. 1980, Chesterfield, England) is a narrative painter who uses pictorial cues as triggers for art historical reference, class commentary, and pure formalism. Mosley has been represented by Josh Lilley since 2020, 11 years after his appearance in the gallery’s inaugural show and a decade in which he presented multiple solo exhibitions at Alison Jacques, London; Tim Van Laere, Antwerp; and EIGEN + ART, Berlin and Leipzig. He participated in the important figurative painting survey Radical Figures at the Whitechapel Gallery in Spring 2020. Most recent solo exhibitions include When The Day is Done, Graves Art Gallery, Sheffield, Seasons, Galerie Eigen+Art, Berlin (2026) and Heavy is the Mountain, Josh Lilley, London (2025). He lives and works in Sheffield.

The Judith Tucker Memorial Prize Judges

Griselda Pollock

Griselda Pollock is Professor emerita of Social and Critical History of Art and 2020 Laureate of the Holberg Prize for her contribution to feminist studies in art history and the visual arts. She has written extensively on the work of artist-women while developing key concepts for ‘feminist interventions in art’s histories’ (vision and difference, tgenerations and geographies, the virtual feminist museum, differencing the canon) Recent books include Killing Men & Dying Women (Lee Krasner and Helen Frankenthaler in New York painting in the 1950s), Woman in Art ( on refugee feminist  art historian Helen Rosenau and her 1944 book of this title), Mary Cassatt (with a new preface) and Medium & Memory—the catalogue of an exhibition curated for HackelBury Fine Art, London, 2023-24 that included paintings and drawings by Judith Tucker.

Harriet Tarlo

Harriet Tarlo’s poetry is published with Shearsman Press, Etruscan books and Guillemot Press. She collaborated for over ten years with the artist Judith Tucker, exhibiting widely here and abroad and publishing five artists’ books with Wild Pansy Press. Her most recent publications are Cut Flowers (2021); with Judith Tucker, Saltwort (2022) and with Kym Martindale, Spillways (2022). She edited the influential anthology The Ground Aslant: An Anthology of Radical Landscape Poetry (Shearsman, 2011). She is a Professor of Ecopoetry and Poetics at Sheffield Hallam University.

This year’s guest judge will be announced shortly

The entry fee is £25 for all applicants.

Artists of all nationalities who live in the UK, including students, are eligible. You must be aged 18 years or above on 8th June 2026 and living and professionally based in the UK. (This includes England, Scotland, Wales, Northern Ireland, Channel Islands and Isle of Man). It does not include the Republic of Ireland.

Each work should not be larger than 2.2m along the longest dimension including any frame. 3D works must fit through a standard doorway.

Yes, you can submit a diptych, triptych, quadtych etc. as long as the combined size does not exceed the maximum (2.2 x 2.2m). It will count as a single entry – i.e. one of your five paintings – as long as you include all the panels in a single image. Please also state ‘Diptych’ or ‘Triptych’ or as appropriate against the size.

Work entered must be viewed by the selectors as being a painting (a visual artwork produced using a paint medium such as oil, tempera, acrylic, emulsion, enamel or watercolour which once completed results in a physical object). Video, or work which is created by exclusively digital output (i.e. giclée or inkjet) is not eligible.

Each work must have been completed within the last 3 years, since 1st June 2023.

No. Framing and/or mounting is optional. If your work is delicate or fragile and you require your work to be displayed unframed, the entry will be accepted on the understanding that it is entered at your own risk; the organisers will not accept any liability for any loss or damage that may occur in the normal course of handling or display.

If your work is selected the exhibition curators will get in touch to discuss any special handling or hanging arrangements.

Clipframes or unprotected glass edges are not acceptable under any circumstances.

Five works give the selectors a better understanding of your painting practice than just one or two examples. They will choose a minimum of three works by each of the shortlisted artists for exhibition. All five of your submitted works must be available for the full duration of both exhibitions. You risk disqualification if any of your submitted works are unavailable. If a painting is already in a private collection, the owner must have agreed to the loan of the work for the prize exhibition.

We want images of five different paintings. The images should be of good quality and do your work justice. The maximum file size per image is 4Mb.

If your work is selected we will ask for high-resolution images for the catalogue.

Yes, as long as any work has not been a winner of another competition.

Yes, you are free to enter if you have been longlisted or shortlisted for the CBP Prize previously.

No. Entry is only open to artists living and working in the UK.

A part of the prize is membership of CBP, and as a member you must live in the UK and therefore able to participate in CBP member activities.

Yes, as long as your work was produced within the UK and within the last 3 years.

You must arrange delivery of your work to Sheffield and collection from London. CBP will arrange transportation of selected works between Sheffield and London. Selected artists will be contacted in due course with further information. The delivery window is to be confirmed.

No. This is not a selling exhibition but we do receive sales enquiries. We will therefore ask the selected artists for selling prices, including commission, or to state if any work is not for sale.

Artists are advised to arrange their own insurance.

We have teamed up with CuratorSpace who will process your payment and your submission. You need to register if you have not done so already. Artist registration with CuratorSpace is free and will also give you access to other opportunities.

Yes. Once you have registered on CuratorSpace and started your submission you can save it, review your submission and update it at any time before the deadline.

No. Entry closes automatically at the published time and date. We strongly recommend that you submit your entry in good time.

Artists will be notified of the outcome by email. Please see Key Dates.

The entry fee is for the Contemporary British Painting Prize. The Judith Tucker Memorial Prize and the YAS Exhibition Award are additional prizes, awarded at the discretion of the respective judges.

The Judith Tucker Memorial Prize is open to women artists based in the UK, whose practice explores the relations between memory, place, environment and landscape through contemporary painting. The selectors will choose works that, in their opinion, meet those criteria.

The YAS Exhibition Award is open to all shortlisted artists.

Some shortlisted artists may be eligible for all three prizes.

Please read About the prize, How to enter and FAQs carefully before you make your submission. 

Deadline for entries: 11.59pm (one minute to midnight) on Monday 8th June 2026.

All artists over 18 and of any nationality, presently living and working in the UK may submit work (see FAQs for further details). Family members of the judges and selectors, and members of Contemporary British Painting are not eligible to apply.

The entry fee is £25 for all entries and is non-refundable.

All works must be an original creation by the artist. Each artist, by entering the Contemporary British Painting Prize, confirms that they hold all intellectual property rights in the work.

Work entered must be viewed by the judges as being a painting (a visual artwork produced using a paint medium such as oil, tempera, acrylic, emulsion, enamel or watercolour which once completed results in a physical object). Each work must have been completed within the last 3 years, since 1st June 2023.

Work need not be framed, however if selected, the entry will be accepted on the condition that it is entered at your own risk; the organisers will not accept any liability for any loss or damage that may occur in the normal course of handling or display.

The selectors will agree a shortlist of at least 12 artists who will show at least three pieces each at the CBP Prize exhibition. The judges will select one prize winner and one highly commended artist from the exhibited works.

The entry fee is for the Contemporary British Painting Prize. The Judith Tucker Memorial Prize and the YAS Exhibition Award are additional prizes, awarded at the discretion of the respective judges.

All five works submitted by the artist must be available for the full duration of the exhibition. If a painting is already in a private collection, the owner must have agreed to the loan of the work for the prize exhibition.

Exhibiting artists will each receive a £400 exhibitor’s fee. Exhibitors are strongly encouraged to attend the prize announcement.

Selected artists must arrange delivery of their selected works to YAS Sheffield and collection of the paintings from Thames-Side Studios Gallery after the exhibition has closed. The organisers will liaise with the artists to confirm dates and to make arrangements.

Works that are for sale are subject to a 50% commission. Works do not have to be for sale. Shortlisted artists will be contacted by the organisers for details.

Artists are advised to arrange their own insurance.

The copyright for all works exhibited in The Contemporary British Painting Prize Show 2026 will remain the property of the artist, but it is a condition of entry that the artist or their representatives agree that ‘Contemporary British Painting’, ‘YAS Sheffield’ and ‘Thames-side Gallery’ may reproduce any exhibited works, free of charge, for the purposes of marketing, promotion and education in direct connection with the ‘Contemporary British Painting Prize’, in all media worldwide including exhibition catalogue and subsequent publications, posters, prints, postcards, the Internet and within television programmes, and may license these specific, limited rights to others only for the same purposes.

‘Contemporary British Painting’ also reserves the right to reproduce selected images free of charge for purposes such as displaying information on previous exhibitions on the ‘Contemporary British Painting’ website, ‘@paintbritain’ Instagram accounts and ‘Contemporary British Painting’ Facebook site indefinitely, as a public record. The processes of the competition may be filmed, and entering the competition constitutes agreement for a painting to be included in such filming, whether broadcast or not.

Artists submitting their Works to the prize (whether such submission is for an exhibition or any other purpose) shall indemnify and keep indemnified the prize organisers (including their agents and affiliates) against any actions, claims, proceedings, losses, liabilities, charges, costs and expenses which they may incur arising out of or in connection with any actual or alleged financial or contractual arrangements between the artist and any agent (other than the prize organisers) or any third party.

Personal data supplied by the artist on the submission form, in accordance with the General Data Protection Regulation (GDPR) will only be used for administering the exhibition and for the purposes of the exhibition and continuing promotion of the Work(s). In entering, entrants agree that their contact details will be retained by the organisers of the Contemporary British Painting Prize and these will be added to the mailing lists for Contemporary British Painting, from which is it possible to unsubscribe at any time. The personal data will not be transferred to any other third party without the consent of the artist.

Unless expressly written to the contrary, the artist hereby consents to the organisers providing third parties with his or her contact details where such third parties might be interested in buying, commissioning or licensing the rights in and to, their work(s).

Artists will be notified of the results of their entry by email (please see Key Dates). The selectors’ and judges’ decisions are final and no correspondence will be entered into.

The organisers reserve the right to disqualify any Work if the artist has failed to adhere to these Terms and Conditions.

Dates and/or other arrangements including selectors and judges may be subject to change due to circumstances beyond the organisers control.

Key dates

monday 11 may

Open for entries

The entry portal opens for entries. You can edit and save your submission right up to the deadline.

monday 8 june

Entry closes

The entry portal closes at 23.59 sharp. Entries cannot be accepted after this time.

friday 10 july

Longlist announcement

All artists will be informed by email whether or not they have made it through to the longlist. The longlist will be announced on our social media channels.

friday 31 july

Shortlist announcement

Longlisted artists will be informed by email whether or not they have made it through to the shortlist for exhibition. The shortlist will be announced on our social media channels.

saturday 19 september

Prize Exhibition opens

The CBP Prize exhibition opens at YAS Sheffield where the prizewinners will be announced.

thursday 5 November

London Exhibition opens

The CBP Prize exhibition moves to Thames-Side Studios Gallery, London

  • The exhibition is accompanied by a beautifully produced catalogue featuring the works of all the shortlisted artists.

The stated aim of Contemporary British Painting is to explore and promote current painting. The subtext to this is giving voice back to the artist, the originator and source of painting. The real discourse around current painting is generated painter to painter and emanates from the studio and not from the boardrooms of institutions, directors’ offices, lecture halls or galleries. This prize is artists submitting themselves to consideration and selection by their peers.” 

Simon Carter, co-founder of Contemporary British Painting and lead selector of the CBP Prize 2018

“The new Contemporary British Painting Prize is a brilliant new initiative that holds up a mirror to the wealth of practice and exciting talent alive in the UK painting scene today.” 

Kath Wood, Founding Director of Firstsite, Curator and Arts Consultant

The Contemporary British Painting Prize 2026